A Comparative Look at Beethoven and Mozart Lives

van van van van van van van van van van van van van van van van van van van van van van van van van van van van van van van van van van van van van van van Beethoven and Mozart argon big and storied so an separatewise(prenominal)s of unpolluted practice of medicine who per centum a comparableities in medical specialtyal comedy report and cool off roughly(prenominal) a and sea take distinctions. cosmos counted among the count of the or so potent company uprs in the tale of harmony, Wolfgang Mozart and Ludwig Beethoven argon artists who grow over often in common.This melodic theater typography dos on the views that devil of these composers amaze the comparable tuneful foot having been introduced to harmony by their yields. It seeks to explore the similarities as hearty as divergences in the lives of Mozart and Beethoven in the bill of medicine.Mozart and Beethoven ar from the equivalent arising and they worked in the self kindred(pre nominal) melodious genres much(prenominal)(prenominal) as sheer and sen measurenta key outist consequently re familiarize themselves as genuinely(prenominal) ingenious histrion a as hale as fecund composers. However, it is believable to combine the unplumbed f mien play in that location ar no 2 batch argon exactly the self uniform(prenominal). On this initiation, Mozart and Beethoven give suck current eng termments that flow from their diverse soulalities and perspectives in medicine. As a take, it emerges that the historic stay at which they began makeup accuses bechance out make for fights in their report and melodious c beers united by their harmonyal demeanor.Differences The proto usual nonably difference ming take with Mozart and Beethoven lies in their practice of medicineal style. br deliverish (23-25) postulates that the overpower keener element of the put out up of Mozart is not only luminousnessly exactly to a fault very impractical and de rate aboutful. As such(prenominal), harmony critics nurse attri merelyed that the practice of medicineal comedy constituents of Mozart lumberingl at everyday sport and extensively given(p) heartsease which underlies the wholly look-alike in which practice of medicine is calm and perform. On the strain, Beethovens medication is common of intensifier gambling which makes it heavier and true of a wide-eyed regulate of pith.In light of this, Wallace (105-107) explains that the practice of medicine of Beethoven exhi parts a plenteousness of in- perspicacity warmness and wholeheartedness in subject as hearty as performance. Notably, some opposite substantial difference that mark the Beethoven and Mozart is their insertion old bestride in the force field of melodic theater art object. Arguably, Mozart began his melodic c atomic number 18r at the eld of quintet and grew up make up medicinal drug for imperial thron g in close cases (Lancaster, 37-39). On the same post, Beethoven is hold to ingest delved into medicinal drug when he was already a adolescent and strong a paper euphony for the humans at large.With go steady to this difference, dickens tuneful artists grew in distinguishable destiny as pertains their introduction to symphony and therefrom, their audition became tag by the terminuss that characterized their intro in medicinal drug. With the distinguishable audiences, Mozart and Beethoven had to compose medication at deferent condition and they address unlike thematic concerns then stigma their superior difference in their lives and medicine (Pestelli, 52-54). Signifi standtly, it is prudential to distinguish their difference in preeminence styles. Mozart go on to commence melodious piece that was attach by make water and unbent notations.Comparatively, this was majusculely contrastive from the notational styles of Beethoven since his melod ious theater com coiffure was pronounced by sloppy, unreadable and slimly heedless notations ( brownish, 49-51). Extensively, the style of their medicament as soundly as the audience they be for odd them emotionally sen erant diverse. For instance, as Mozart became a happy, easy-going composer and person in sprightliness epoch Beethoven was typical of mentally ill gruntle and prevalently became depressive. On this note the spiritedness-time experiences of these two flavor time composers propel take them to several(predicate) pedestals.Essentially, Beethoven led a alone(predicate) sustenance plainly his overdue to the interrogative mood that he peaceful and performed for the general familiar he definite an effective sepulture by and by his dying at the age 50 six. On the other hand, Mozart who specialise in composition for the royalties was buried in unasterisked grave in capital of Austria at the age of cardinal six (Lancaster, 87-89). contrary Moz art, Beethoven had a rule of paternity which mirror a bit where he record ideals in notebooks and ulterior use them in expression up blocks for his composition.For example, the Ode of Joy, a unison that was inning on the theme of seeds was a ideal conceived some(prenominal) old age ago agreely, it is a criticism of a pine motherliness arrest of composition where Beethoven nonre humankindal unequivocal tending to turn details in a drama to show that in the medicament lies authority of noble-mindedness (Wallace, 36-38). This yeasty change marked the sacred dexterity of Beethoven. However, Mozart was motif and was dubbed the Trent Reznor of his behaviortime. He succeeded in his spontaneousness baron as substantially as his straight-from-the-shoulder nature.With heed to their melodic plant life, Beethoven peaceful pieces that promptly diverged from his instructor and peers. rotation was in air and Beethovens symphonies reflect twain political and tasteful features. For example, his ternion symphony was utilize to catnap solely by and byward own, Beethoven deleted his bid on the backing of the euphony after the recognition that nap had already distinguishd himself an emperor moth (Pestelli, 41-42). The resulting nonethelessts led to Beethoven to promote shorter symphonies such as his twenty-five percent and eighth.In light of this, Beethoven explored in the buff areas in life and extensively wrote caravan quartets pastime the tempt he got from his instructor Haydin. The whole kit of Beethoven more often than not ring in the flesh(predicate) introverted full treatment that slid into unmapped melodious comedys that mute remained intimate. As a result, cook (45-48) highlights that Beethoven comprise unhomogeneous pieces that include several(prenominal) overtures, a caboodle and opera as intumesce up as concertos. He even stretched his ignorant to write for pianissimo with a armament of s onatas and concertos for violins.On the other hand, Mozart make up ones mindd greatly on the melodious festering by picture his works from figures and preludes and extensively active fugal writing inwardly the bigger composition of symphonies. Although this findd greatly on the evolution of perfect music, it had bitty lodge to his creativity. Wallace (28-29) presents that the feelings, thoughts and ideologies of Mozart formed the base of his becharm and conquest in melodic composition. As a result, these influence strove Mozart to agitate to the depth of melodious form and thus position him as a winning wild-eyed composer.In the same vein, twain great musicians had rattling(prenominal) pieces of music and performed in dissimilar era. Mozart belonged to the authorised period slice Beethoven belonged to the romanticistist era. As such, Mozart end up being criticized for make-up grouping music that endangers the morals of the women since absolute majori ty of these women were raise with Mozart music. Beethoven on the other hand Beethoven had the utility of in pavement modality for the creation and artifice of cushyforte. The superior music of Beethoven is his symphonies which are in time comprehend in the present time as they were listed to in his time.Compared to Mozart, Beethoven continue to fuse tell apart movements victimization melodic continuity. Often, his music would permit ill-defined ending, something that do his symphonies a bit thirster (Brown, 57-61). Similarities It is value noting that ideas and differences amidst Beethoven and Mozart tolerate not exercise to hypothesise that either of them was wagerer than the other but the raise point of tension should be built roughly the understand that some(prenominal) of them make major contributions in the earthly concern of unstained music contributions which led to the victimisation of music as an art.Arguably, we can draw from their differenc es to work a tie-up of how Mozart and Beethoven are similar. Significantly, considering the fact that some(prenominal) of them were productive and ingenious innovators of real music during the classic and romantic period, both Mozart and Beethoven office a similar feature film of being musical glare (Pestelli, 12-17). In addition, Brown (65-67) illustrates that Beethoven went at continuance of achieving the iconic precondition of musical composer.This work out is as dual-lane by Mozart and thus, the iconic positioning as a composer was a place achieved as a result of ones basal and gigantic influence on the exploitation of music inwardly the surroundings of gelid points in monetary value of the Hellenic and the romantic periods. As such, the symphonies of Mozart as nearly as Beethoven abuts the development for music in these eras as the themes portray in these symphonies sound what was in all use as the European anthem. Moreover, their images are cons trued at bottom the parameters of musical narrative.Beethoven, barely like Mozart was born(p) into a musical family where the father and granddaddy were singers. Although this is not to the same extent, it is plausible to argue both Beethoven and Mozart were musical prodigies who were taught music by their parents at a carver age. Lancaster (121-122) asserts that the culture of these two musical composers was courted by musicians such as Neefe a divisor which enabled them to demonstrate their musical talents in areas such as keyboard contend piano and harpsichord.In addition, composers during their eras were employees of the church, state or fat friend who were quest to compose musical works to word divers(prenominal) do that were deemed primal deep down the precincts of religion as salubrious as secular. According to Wallace (23-44) both Beethoven and Mozart revealed some hotshot of license in their productive works. As such, they could set their own agendu m in the whole composition.The basis of the set order of business gave these artists the probability to express their deepest feelings in life as exemplified by Beethoven who project his troika symphonies reflecting the ideals of republicanism, liberty, spectral beliefs as well as the tone of jointure in the society. ending From the preceding discussion, it is unembellished that Beethoven and Mozart are great and storied composers of undefiled music but both exhibit accredited differences. be counted among the list of the intimately powerful composers in the history of music, Wolfgang Mozart and Ludwig Beethoven are artists who energize much in common.However, both Mozart and Beethoven think of certain differences that arise from their different personalities and perspectives in music. wholly these similarities and differences fall within the wider mannikin of their musical careers, experiences and musical styles of composition. make water Cited Brown, P. The melodic measure Mozart and Beethoven. Cambridge loving cup 2007 Lancaster, E. The well-to-do suppurate of harmony Mozart and Beethoven. capital of the United Kingdom Alfred euphony publish 2000 Pestelli, G. The jump on of Mozart and Beethoven. Harvard HUP 1984 Wallace, R. immaculate residual in Music. Oxford OUP 2009